Recent Work
Four-Color Reduction Woodcut 30" x 42" - Cranfield Ink on Arnhem Paper - January 2019
Woodcut - Section Six of Maryhill Museum's Exquisite Gorge Project - 48" x 72" - Speedball Supergraphic Ink on Masa - August 2019
Two-color Reductive Stone Lithograph - 9" x 11" - July 2019
Four-Color Reduction Woodcut - Cranfield Ink on Arnhem Paper - 26" x 35" - January 2019
Four Color Reduction Woodcut - Cranfield ink on Arnhem paper - 18" x 24" - November 2018
Woodcut - 16" x 20" - September 2018 Danger may be nearby and a foe may be waiting for you.
Four-Color Reduction Woodcut - 26" x 35" - August 2018 Scientific American published a report indicating that bees can count to four and understand the concept of zero.
Rise of the GMO Triffid Woodcut - 18" x 24" - April 2018
Woodcut - Graphic Chemical Ink on Masa paper - 36" x 48" - August 2017
Four Color Reduction Woodcut - Gamblin Ink on Arnhem Paper - 16" x 20" - March 2017
Woodcut and Letterpress - Gamblin Ink on Arches - 3" x 4" - January 2017
Three Color Reduction woodcut - 7" x9" - August 2016
Silkscreen - Seven Layers 8" x10" - June 2016
Etching & Drypoint - Charbonnel Ink on German Etch paper - 9" x 12" - May 2016
Two-color reduction woodcut - Caligo Ink on Stonehenge paper - March 2016
Etching, Aquatint & Drypoint - 9" x12" edition of 13 - Faust Ink on German Etch paper - March 2016
Six Color Reduction - Stonehenge Paper - Edition of 12 - March 2015
Woodcut - Pescia Paper - Edition of 6 - March 2015
Woodcut - Stonehenge Paper - Edition of 25 - 2010
Etching - Stonehenge Paper - Variable Edition